New York: EG Records, Inc., 1979, 1980. First Edition. Wraps. 4tos. Stapled wraps. Three issues. Minor edgewear, with some faint spotting to front cover of Issue 2 only. Very good plus overall. First three issues of the E.G. Records Newsletter, founded to promote the label's artists following the January '79.....

New York: Da Capo, 1971. Hardcover. 8vo. Blue cloth. Near fine. Small scuff to cloth of front cover. Trace wear to extremities. Else bright, clean, and tight. A sharp copy. Unabridged reproduction of the original 1863 Philadelphia edition. With a Supplementary Essay by Tassilo Von Heydebrand Und Der Lasa. 156pp.....

Flushing, NY: [Jamz / Alan Betrock], (1972). First Edition. Wraps. 4to. Original wraps. Mixed printing: offset and mimeo. Cover by Jay Kinney. Neatly and cleanly disbound from staples, the second (of two) is- sue we've handled with this fault, suggesting poor stapling or perhaps even as issued. Three- hole punched.....

London: Ranelagh Press, [1969]. First Edition. Wraps. Oblong 8vo. Yellow printed stapled wraps. Beginnings of staple rust. Light wear and creasing to covers, with some very neat red pen embellishment to floral borders. Single clean horizontal closed cut along upper edge of back cover, and next interior page, both repaired.....

New York: Macmillan, (1974). First Edition. Hardcover. 8vo. Publisher's blue cloth in printed dust jacket. Very good plus, in a very good DJ. Edges of jacket lightly toned. Small tear to half title. Else clean, bright, tight throughout. 203pp. Short biographic portraits of five opera tenors: Luciano Pavarotti, Richard Tucker.....

(San Diego, CA): The Continental Dance Club, [ca. 1958]. Wraps. 4to. Faux-leather covered plastic spiral bound album measuring approximately 10.5” x 8.75”. 7 plastic covered paper leaves with 9 black and white photographs, plus various clippings, business documents and scrap material loosely mounted and laid in. Covers torn at upper.....

Cambridge, MA: Harvard University Press, 1990. First Edition. Hardcover. 4to. Grey cloth. Silver gilt to front, spine. In original illus- trated dust jacket. Unclipped. Deluxe, limited edition, SIGNED by Cage to half-title. Housed in a matching cloth, two-piece box which addition- ally holds two 60-minute audio cassettes. Mild shelf rubbing.....

New York: Henmar Press, 1960. First Edition. Wraps. Folio, 11 x 14". Ozalid or diazo score, mechanically reproduced from holograph. Folded in sixths, residue of a paper clip to top edge. Toning, as common to the format. Else clean and sound. Very good. [1], 2-8. Apparent publisher's proof of Cage's.....

New York: Thomas Yoseloff, (1959). First Edition. Hardcover. 8vo. Very good + in like jacket. Toning to DJ spine. Mild wear to edges. Original price present, but bottom corner front flap clipped, as in all copies intended for the US market. Touches of rubbing to extremities of book. Clean and.....

Princeton, NJ: Ontario Review Press, (2001). First Edition. Hardcover. 8vo. Green cloth in pictorial dust jacket. About fine in like DJ. INSCRIBED by Chmielarz to title page. Clean, bright, unmarred throughout. 97pp. Speculative biographical collection of verse about Maria Anne (Nannerl), who was Mozart's older sister.

(Washington, DC): (1983). First Edition. Handbill, 8'' x 13'', light edgewear, horizontal folding crease. Light toning to verso. Very good plus. With: Program, printed yellow wraps, 8.5'' x 5.5'' folded single sheet. Three small tears/chips to edges; back cover creased. Good plus. Two pieces of ephemera from the Y New.....

London: Faber & Faber, 2016. First English language edition. Hardcover. Oblong 8vo. Black pictorial boards, persimmon cloth spine. No dust jacket as issued. Near fine. 73pp. Beautiful graphic novel tribute to the life of blues legend Robert Johnson, with bibliography. Translated from the French edition of 2014 by Ivanka Hahnenberger.....

Lincolnwood, IL: Moog Synthesizers, (1976). First Edition. Single sheet, 8.5" x 11" approx. printed recto and verso. Very minor toning. Near fine. Advertisement for the Minimoog Synthesizer, a landmark instrument in 20th century pop music. Modular synthesizers had been used extensively in the studio, but were cumbersome and expensive. With.....